Cynthia Martin’s father insists she marry before her two younger sisters Helen and Grace. So, she invents a husband for herself called Major Smith. Trouble begins when the fictitious husband Major John Smith materializes, bringing with him chaos and confusion.

Thelma and Patsy get jobs at a radio station.

一名珠宝窃贼的同伙爱上了一位神秘的绅士骗子。他们一同决定改过自新，但当女孩的老板在一场争斗中遇害时，麻烦找上门来。

General Daffy, in a Napoleon hat, commands a fort. Porky sleeps too soundly, so Daffy needs to roust him, but when the Indians attack, he's the only one awake to see them.

A lawyer is framed for the murder of a young party girl and tries to clear his name.

暂无剧情简介

At her husband's funeral, Pearl, Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl.

Ivan, a 14-year old boy, lives with his uncle Jaime, a mediocre dealer of used car parts. Both of them dream with a better life and are stashing away their money in order to emigrate ilegally to Chicago shortly. When Jaime realizes that he needs much more money than he expected in order to pay the "Coyote" that will help them cross the border, he decides to introduce his nephew into the world of car-part theft. Ivan learns quickly the know-how of his new trade and convinces Efrain, his best friend, to help him. The kids enjoy themselves together and carry out Jaime's orders skilfully until Ivan realizes that his uncle's intentions for the trip have changed since they first made their plans.

Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession. (imdb) Lawrencia Bembenek was a beautiful bride, a 22-year-old blonde who had worked as both a policewoman and a Playboy bunny, when she was arrested in Milwaukee for the murder of her husband's ex-wife. Though the evidence was circumstantial and none of it implicated Miss Bembenek directly or exclusively, she was sentenced to life in prison. Her husband, who had expressed resentment over having to support his ex-wife, sought a divorce soon after his wife's conviction. ''Dear Lawrencia,'' he wrote to her. ''Goodbye. Good luck - Fred.'' The strong possibility that Miss Bembenek, who has been in prison since her 1982 conviction, may have been wrongly accused helped attract the film maker James Benning to her case. Another part of the attraction, as Mr. Benning freely acknowledges, was Miss Bembenek herself. In 1986, her picture in the newspaper caught his eye, and he began corresponding with her and planning a film about her story. ''In all honesty,'' he wrote her, ''I must admit the kind of films I make would hardly benefit you - no money, no mass attention.'' However, the trouble with Mr. Benning's ''Used Innocence,'' which opens today at the Film Forum 1, goes beyond its likely lack of exposure. In attempting both to reconstruct and examine the case against Miss Bembenek, Mr. Benning has a great deal of difficulty translating his information into visual terms. Letters to and from the film maker and his subject, which are read right down to their ZIP codes, are accompanied by nothing more evocative than footage of blue skies. Courtroom testimony, sometimes read in voice-over and sometimes re-enacted by performers who are less than convincing, is presented in a lullingly monotonous way. At times, Mr. Benning peppers these scenes with brief blackouts, as if attempting to wake up his audience. Some of the information is accompanied by long, long scenery shots, taken from a car moving through the Milwaukee environs where the crime occurred. Another voice-over section is actually accompanied by a pitch-dark screen. At the film's end, an actress playing Miss Bembenek is seen silk-screening a poster in the prison's printing shop, repeating this monotonous task perhaps 20 times over. And Mr. Benning, whose style can be as confusing as it is deliberatly flat, at one point lets the camera pan over a newspaper clipping while a voice in the background reads something entirely different. (Janet Maslin, New York Times)

Two friends fight for their lives and body parts when they stop at a gas station where the owners have a horrific ulterior agenda.